surfaces
Patina is not one colour
Why green, brown and black surfaces require material context rather than romantic shorthand.
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Tool marks, polishing, coatings and corrosion layers determine how cast form meets light—and how cautiously it should be interpreted.
Darkness, green colour and shine can be natural, applied, restored or newly altered. A responsible caption does not collapse these different histories into the single word patina.
Low-angle light can reveal chased lines, abrasion, pitting and repaired joins. It is an analytical tool, but photographs remain shaped by exposure and colour balance.
Cleaning, polishing, waxing and coating can change both appearance and evidence. Conservation records matter more than aesthetic assumptions.
surfaces
Why green, brown and black surfaces require material context rather than romantic shorthand.
Read articlesurfaces
How directional light clarifies tool marks while also staging a persuasive—and partial—view.
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